Horenstein

Найдено 168 композиций

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus) — Joyce Barker, Beryl Hatt, Agnes Giebel, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
6:16
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Gloria sit Patri Domino" (Boys' Choir, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Chorus 1, Chorus 2, Baritone, Bass) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
3:06
Aa Introduction Ab Danses Des Adolescentes Ac Jeu Du Rapt Ad Rondes Printanières Ae Jeux Des Cités Rivales Af Cortège Du Sage Ag Adoration De La Terre Ah Danse De La Terre Seconde Partie: Le Sacrifice Ba Introduction Bb Cercles My — Igor Stravinsky - Orchestre Philharmonique De Baden-Baden* / Jascha Horenstein – Le Sacre Du Printemps Label: Musidisc – 30 RC 867, Musidisc – RC 867 Series: Collection Richesse Classique – 30 RC 867, Collection Richesse Classique – RC 867 Format: Viny
35:03
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Chorus 1, Chorus 2, Boys' Choir) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
3:13
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Accende lumen sensibus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Boys' Choir, Chorus 1, Chorus 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
5:44
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Chorus 1, Chorus 2, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Bass, Baritone) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
1:44
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Blicket auf zum Retterblick, alle reuig Zarten" (Doctor Marianus) — Kenneth Neate, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
6:26
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Uns bleibt ein Erdenrest" (Die vollendeteren Engel, Contralto) — Kerstin Meyer, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
1:49
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ich spür' soeben" (Die jüngeren Engel) - "Hier ist die Aussicht" (Doctor Marianus) - "Höchste Herrscherin der Welt!" (Doctor Marianus, Chorus 1, Chorus 2) — Kenneth Neate, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
5:57
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Dir, der Unberührbaren" (Chorus 1, Chorus 2) - Chor de Büβerinnen, "Du schwebst zu Höhen der ewigen Reiche" (Chorus 2, Una Poenitentium) — Agnes Giebel, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
3:35
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Jene Rosen aus den Händen" (Chor der jüngeren Engel) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
2:41
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium) - "Komm! hebe dich zu höhern Sphären!" (Mater gloriosa) — Beryl Hatt, Agnes Giebel, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
4:38
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Imple superna gratia" (Soprano 1, Tenor, Soprano 2, Contralto 1, Contralto 2, Baritone, Bass, Chorus 1, Chorus 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
4:03
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Bass, Tenor, Contralto 1, Contralto 2, Baritone, Soprano 1, Soprano 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, London Symphony Orchestra, Jascha Horenstein
2:36
Symphony No. 1 in D Major "Titan": IV. Sturmisch bewegt — Wiener Symphoniker, Jascha Horenstein
20:53
Piano Concerto, Op. 18: No. 2, Adagio sostenuto — Royal Philharmonic Orchestra, Jascha Horenstein, Earl Wild (piano)
10:20
Piano Concerto No. 4 in G minor, Op. 40 (Earl Wild, piano: Royal Philharmonic Orchestra/Jascha Horenstein) — С.В. Рахманинов
23:09
Mahler: Symphony No. 5 in C sharp minor 1. Trauermarsch: In gemessenem Schritt - Streng - Wie ein Kondukt, — Jascha Horenstein cond. Gothenburg Symphony Orchestra
13:00
Mahler: Symphony No. 4: IV. Sehr behaglich, "Wir geniessen die Himmlischen Freuden" (Soprano) — Jascha Horenstein/Dame Margaret Price/London Philharmonic Orchestra/Rodney Friend
9:45
Mahler: Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast — Jascha Horenstein/Dame Margaret Price/London Philharmonic Orchestra/Rodney Friend
11:32
Rachmaninov: Piano Concerto No. 1 in F-Sharp Minor, Op. 1 — Earl Wild & Jascha Horenstein cond. Royal Philharmonic Orchestra
24:24
Johann Strauss - Waltzes II — Jascha Horenstein
65:15
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Chorus 1, Chorus 2) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
1:29
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen — Wiener Symphoniker, Jascha Horenstein
11:43
Rhapsody On a Theme of Paganini Op. 43: Variation 18, Andante Cantabile — Earl Wild, Jascha Horenstein, Royal Philharmonic Orchestra
21:00
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Bei der Liebe" (Magna Peccatrix) - "Bei dem Bronn" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca) - "Neige, neige" (Una poenitentium) — Joyce Barker, Agnes Giebel, Kerstin Meyer, Helen Watts, London Symphony Orchestra, Jascha Horenstein
6:49
Symphony No. 1 in D Major "Titan": I. Langsam, schleppend - Immer sehr gemächlich — Wiener Symphoniker, Jascha Horenstein
16:46
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Gerettet ist das edle Glied der Geisterwelt .. Hände verschlinget euch" (Chor der Engel, Chor seliger Knaben) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
1:06
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Wie Felsenabgrund mir zu Füssen" (Pater profundus) — Arnold van Mill, London Symphony Orchestra, Jascha Horenstein
4:40
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell — Wiener Symphoniker, Jascha Horenstein
8:17
Requiem in D Minor, K. 626: XII. Agnus Dei and Lux Aeterna — Academy Chamber Choir, Vienna Symphony Orchestra, Jascha Horenstein, Wilma Lipp, Murray Dickie, Elisabeth Hoengen, Ludwig Weber
10:34
Missa solemnis, Op.123 - Qui tollis - Quoniam tu solus sanctus (Teresa Stich-Randall, Norma Procter, Peter Pears, Kim Borg, Leeds Festival Chorus & Philharmonia Orchestra, Jascha Horenstein, 1958) — Beethoven
11:15
Symphony No. 5 in B-Flat Major, WAB 105, IAB 112, III: Scherzo: Molto vivace (schnell) - Trio: Im gleichen Tempo — BBC Symphony Orchestra, Jascha Horenstein
13:58
Missa solemnis, Op.123 - Kyrie (Teresa Stich-Randall, Norma Procter, Peter Pears, Kim Borg, Leeds Festival Chorus & Philharmonia Orchestra, Jascha Horenstein, 1958) — Beethoven
7:36
Bruch: Scottish Fantasy, Op. 46 - 4. Finale (Allegro guerriero) — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
9:26
Piano Concerto No. 3 in D minor, Op. 30 (Earl Wild, piano: Royal Philharmonic Orchestra/Jascha Horenstein) — С.В. Рахманинов
35:34
Strauss Waltzes: Tales from the Vienna Woods Waltzes — Vienna State Opera Orchestra, Jascha Horenstein, Chesky Records, 1962
10:49
Symphonie 3 — Mahler (Horenstein)
97:32