Jascha Horenstein
Найдено 158 композиций
Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Dir, der Unberührbaren" (Chorus 1, Chorus 2) - Chor de Büβerinnen, "Du schwebst zu Höhen der ewigen Reiche" (Chorus 2, Una Poenitentium) — Agnes Giebel, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
3:35Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Gloria sit Patri Domino" (Boys' Choir, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Chorus 1, Chorus 2, Baritone, Bass) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
3:06Aa Introduction Ab Danses Des Adolescentes Ac Jeu Du Rapt Ad Rondes Printanières Ae Jeux Des Cités Rivales Af Cortège Du Sage Ag Adoration De La Terre Ah Danse De La Terre Seconde Partie: Le Sacrifice Ba Introduction Bb Cercles My — Igor Stravinsky - Orchestre Philharmonique De Baden-Baden* / Jascha Horenstein – Le Sacre Du Printemps Label: Musidisc – 30 RC 867, Musidisc – RC 867 Series: Collection Richesse Classique – 30 RC 867, Collection Richesse Classique – RC 867 Format: Viny
35:03Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Chorus 1, Chorus 2, Boys' Choir) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
3:13Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Imple superna gratia" (Soprano 1, Tenor, Soprano 2, Contralto 1, Contralto 2, Baritone, Bass, Chorus 1, Chorus 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
4:03Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus) — Joyce Barker, Beryl Hatt, Agnes Giebel, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
6:16Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Chorus 1, Chorus 2) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
1:29Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ich spür' soeben" (Die jüngeren Engel) - "Hier ist die Aussicht" (Doctor Marianus) - "Höchste Herrscherin der Welt!" (Doctor Marianus, Chorus 1, Chorus 2) — Kenneth Neate, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
5:57Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Bass, Tenor, Contralto 1, Contralto 2, Baritone, Soprano 1, Soprano 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, London Symphony Orchestra, Jascha Horenstein
2:36Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium) - "Komm! hebe dich zu höhern Sphären!" (Mater gloriosa) — Beryl Hatt, Agnes Giebel, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
4:38Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Uns bleibt ein Erdenrest" (Die vollendeteren Engel, Contralto) — Kerstin Meyer, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
1:49Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Chorus 1, Chorus 2, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Bass, Baritone) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
1:44Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Jene Rosen aus den Händen" (Chor der jüngeren Engel) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
2:41Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Accende lumen sensibus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Boys' Choir, Chorus 1, Chorus 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
5:44Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Gerettet ist das edle Glied der Geisterwelt .. Hände verschlinget euch" (Chor der Engel, Chor seliger Knaben) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
1:06Mahler: Symphony No. 5 in C sharp minor 1. Trauermarsch: In gemessenem Schritt - Streng - Wie ein Kondukt, — Jascha Horenstein cond. Gothenburg Symphony Orchestra
13:00Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Wie Felsenabgrund mir zu Füssen" (Pater profundus) — Arnold van Mill, London Symphony Orchestra, Jascha Horenstein
4:40Bruch: Scottish Fantasy, Op. 46 - 2. Scherzo - Allegro; Adagio — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
5:19Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Hymnus veni, creator spiritus — London Symphony Orchestra, Jascha Horenstein, Joyce Barker, Beryl Hatt, Agnes Giebel, Kirsten Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, BBC Chorus
23:19La nuit transfigurée, Op. 4 Orch. for String Orchstra — Südwestrundfunk Sinfonieorchester Baden-Baden, Jascha Horenstein
28:52Bruch: Scottish Fantasy, Op. 46 - 3. Andante sostenuto — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
7:44Symphony No. 1 in D Major "Titan": I. Langsam, schleppend - Immer sehr gemächlich — Wiener Symphoniker, Jascha Horenstein
16:46Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell — Wiener Symphoniker, Jascha Horenstein
8:17Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. The Closing Scene from "Faust" — London Symphony Orchestra, Jascha Horenstein, Joyce Barker, Beryl Hatt, Agnes Giebel, Kirsten Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, BBC Chorus
57:14Rhapsody On a Theme of Paganini Op. 43: Variation 18, Andante Cantabile — Earl Wild, Jascha Horenstein, Royal Philharmonic Orchestra
21:00Mahler: Symphony No. 4: IV. Sehr behaglich, "Wir geniessen die Himmlischen Freuden" (Soprano) — Jascha Horenstein/Dame Margaret Price/London Philharmonic Orchestra/Rodney Friend
9:45Symphony No. 7 in E Major, WAB 107: II. Adagio - Sehr feierlich und sehr langsam — Jascha Horenstein, Berlin Philharmonic Orchestra
21:43Rachmaninov: Piano Concerto No. 1 in F-Sharp Minor, Op. 1 — Earl Wild & Jascha Horenstein cond. Royal Philharmonic Orchestra
24:24Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Blicket auf zum Retterblick, alle reuig Zarten" (Doctor Marianus) — Kenneth Neate, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
6:26Piano Concerto, Op. 18: No. 2, Adagio sostenuto — Royal Philharmonic Orchestra, Jascha Horenstein, Earl Wild (piano)
10:20Requiem in D Minor, K. 626: VII. Lacrimosa — Academy Chamber Choir, Vienna Symphony Orchestra, Jascha Horenstein, Wilma Lipp, Murray Dickie, Elisabeth Hoengen, Ludwig Weber
3:54Mahler: Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast — Jascha Horenstein/Dame Margaret Price/London Philharmonic Orchestra/Rodney Friend
11:32Bruch: Scottish Fantasy, Op. 46 - 1. Adagio cantabile — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
8:43Requiem in D Minor, K. 626: VI. Confutatis — Academy Chamber Choir, Vienna Symphony Orchestra, Jascha Horenstein, Wilma Lipp, Murray Dickie, Elisabeth Hoengen, Ludwig Weber
2:55Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ewiger Wonnebrand" (Pater ecstaticus) — Alfred Orda, London Symphony Orchestra, Jascha Horenstein
1:24Scottish Fantasy In E-Flat Major, Op. 46: Scherzo; Allegro — The London Symphony Orchestra, Jascha Horenstein, David Oistrach
5:18Symphony No. 1 in D Major "Titan": IV. Sturmisch bewegt — Wiener Symphoniker, Jascha Horenstein
20:53Вальсы II — Иоганн Штраус (сын)
65:15Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen — Wiener Symphoniker, Jascha Horenstein
11:43Requiem in D Minor, K. 626: VIII. Domine Jesu — Academy Chamber Choir, Vienna Symphony Orchestra, Jascha Horenstein, Wilma Lipp, Murray Dickie, Elisabeth Hoengen, Ludwig Weber
3:59